What do you think about the main limits and sub-limits of Fada?
What do you think about the main limits and sub-limits of Fada?
The most useful thing about Fada's main limit and sub-limit is that it allows you to see who is leading the big stage, and also to see which sub-theme is specifically highlighted within this stage.
The main image is a large chapter, and the sub-image is a specific paragraph in the chapter.
If the main limit is telling you "Who is at the helm during this period of time," then the sub-limit is more like answering: "During this period of time, which sub-topic is speaking now?" The main limit gives the general direction, and the sub-limit gives the subdivided tone in the stage. Put the two layers together, and the sense of time will immediately become layered.
This is why Fada can see the general trend without being too crude.
Without the main limit, the sub-limit is easily broken; without the sub-limit, the main limit is too general.
Just by looking at the main limits, you will know what themes have been pursued in the past few years, but you may not necessarily know why a certain period of time suddenly focuses on relationships, work, body, conflict or expression. If you only look at the sub-limits, it is easy to break away from the larger context and become fragmented. Mature usage must be to mainly limit the general climate, and the secondary limit to complement the specific rhythm.
Once the levels are clear, fada moves from abstraction to usability.
When watching the main and subtitles together, the most important thing is to see who is coloring whom.
For example, if the main limit is Saturn and the sub-limit is Venus, this is not a simple "Venus theme is coming", but Venus in the context of Saturn: relationships, values, and ways of liking will bring more responsibilities, realities, or structural pressures. People who really know how to read Fada will not read the two levels separately, but will look at how the secondary limit changes in the context of the main limit.
The same sub-limited star will have completely different textures in different main limits.
Why are there different sub-stages in the same stage?
What Fada's main and deputy limits can help people understand the most is why, in the same few years, you will feel that you are dealing with a relationship at a certain period of time, but after a while it becomes a career or pressure issue. It's not that the main line is messed up, but that there are already level switches within the stages. The main and deputy limits of Fada can explain this "stage within the stage" clearly.
Once time has layers, it is not easy for people to lump all their feelings together.
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