Why are Qisha, Pojun and Greedy Wolf often misunderstood?

Qisha, Pojun, and Greedy Wolf are often collectively referred to as Shapolang. In folk texts, they are easily written as turmoil, danger, peach blossoms, and rebellion. Such a label has some source of experience, but if applied directly, a group of strong changing stars will be read as intimidation. The really important thing about Sha Po Lang is the change mechanism: Qi Sha is responsible for decision-making and entry, Po Jun is responsible for dismantling and reorganization, and Greedy Wolf is responsible for desire, expansion and diverse experiences.

They don't necessarily bring bad things, but they usually don't keep life on a smooth path. They are more like pushing old structures to the breaking point, where people must act, choose, pivot, or upgrade.

The key words of Seven Kills are not fierceness, but determination, pressure, battlefield sense, independent responsibility and quick entry. When the Seven Kills falls in a certain house, this field often requires clear choices, competition, and risks, and it cannot be ambiguous for a long time. If you fall in the career palace, you may be in a high-pressure position, start a business, manage a crisis, or tackle a technical challenge; if you fall in the fate palace, you often don't like to be held back and tend to deal with problems directly.

The difficulty with Seven Kills is that it’s easy to cut off too quickly, be too independent, and treat everything as a battle. If Qisha is read well, it means sharp action; if it is not read well, it will become aloofness and conflict.

Po Jun is most likely to be misled by his name, as it seems that he will lose money, relationships, and stability at the first sight. In fact, the core of breaking the army is to dismantle the old structure, reorganize resources, and open a new game in an inapplicable system. It does not like to maintain lifeless stability and often promotes change when the old model cannot survive.

If the broken army falls in the Palace of Wealth and Silk, it may mean that the way of making money changes greatly, resources are reallocated, and it is suitable for project-based or high-volatility fields; if it falls in the career palace, it may mean reform, transformation, product redoing, and crisis management; if it falls in the palace of husband and wife, special attention should be paid to the old and new, free needs and commitment patterns in the relationship. Destroying the army is not necessarily bad, but it needs to bear the cost of restructuring.

Greedy Wolf is called Peach Blossom Star, so he is often directly read as having complicated emotions. In fact, Greedy Wolf looks at desire, charm, social interaction, enjoyment, versatility, exploration experience and the ability to absorb the world. Peach blossoms are just one of the manifestations of desire and attraction in relationships.

If Greedy Wolf falls in the Ming Palace, you may have broad interests, strong expressions, and good social skills, but may also be difficult to satisfy and easily distracted; if it falls in the Career Palace, it is suitable for scenes that require attraction, packaging, communication, entertainment, business negotiations, and resource integration; if it falls in the Fortune Palace, it will significantly affect enjoyment, desire management, and inner satisfaction. When reading Greedy Wolf, you have to ask: Is desire managed into creativity, or is it dispersed into consumption?

What Sha Po Lang is most afraid of is that he only looks at the momentum and not the success. Seven Kills requires rules and logistics, otherwise it will be easy to rush through; breaking the army requires resources and review, otherwise the reorganization will become repeated overthrow; Greedy Wolf requires borders and main lines, otherwise it will absorb too much and become scattered. It’s not that they can’t be accomplished, it’s quite possible that they can be accomplished, but you need to know what the cost is.

Therefore, when judging Sha Po Lang, we need to see whether the three directions and four righteousnesses are supported by Tianfu, Tianxiang, Zuofu Youbi, Wenchang Wenqu, etc. It also depends on where the desire, power, reputation and pressure of the four modernizations are sent. If there is continuity in the transformation of the stars, it will be a creation; without continuity, it will easily become drifting and wasted.