The complete reading order of a horoscope

First look at the Sun Lord, then look at the Four Pillars and the Moon Order, then look at the Five Elements and the Ten Gods, then judge the strength, weakness, pattern, likes and taboos, and finally enter the Great Fortune.

• ·Who is the center?
• ·How power works around a center.
• ·How to organize the main lines of the board.
• ·How this phase is triggered.

It is most easy to mistake a part for the whole if you skip a step, and it is especially easy to draw premature conclusions about marriage, wealth, and bad luck.

Many beginners can't help but jump to wealth, career, and marriage when they see wealth, officialdom, spouse palace, and peach blossoms. However, the most important skill in reading the chart completely is to hold back for the first time. You first build the skeleton of the sun master, moon order, root energy, thorough dryness, hidden dryness, five elements of hot and cold and the division of labor among the ten gods, so that the following themes will not be read as scattered associations.

The main line refers to which force this disk mainly relies on to operate, and the stuck point refers to where it is most likely to become unbalanced. For example, some main lines are about food harm and wealth, but the stuck point is insufficient support; some main lines are about official seals, but the stuck point is excessive pressure; some main lines are not weak, but the imbalance of hot and cold makes the whole line difficult to use. Only by reading the main line and stuck points together can the article truly stand up.

The themes of career, relationship, wealth, and family are not to re-read the book, but to re-read it with the skeleton and main line found earlier. In other words, you don't suddenly start "looking at feelings", but you ask: How will the original main line, stuck points and connection methods of this disk behave when the relationship theme is put into it. The content written in this way will look like an in-depth article rather than a topic template.

The passing of the Grand Fortune is most easily misused to create a new set of judgments. In fact, the work of the time layer is to amplify, trigger, and rewrite the structure that originally existed in the natal life. You should first ask what is originally in your life, and then ask whether time in this step has smoothed it out, weighed it down, or forced it to change its expression. Only in this way will the fleeting time not be read as good or bad luck falling out of thin air.

The last step of a complete reading is not to pile up more terms, but to organize them into a smooth paragraph: where is the structural center of this person, what is the most common mode of operation, what are the main stuck points, what stages are more likely to be magnified, and what they usually look like in reality. Being able to explain this passage clearly means that you have not memorized the previous steps, but have really read them through.

Mature tape reading is not a straight line, but when you read new clues later, you will go back and proofread: It turns out that the ten gods are not the protagonist, but a supplement; it turns out that this timeline magnifies not wealth, but pressure; it turns out that the key to this theme is not whether it exists, but whether it can be undertaken. The depth comes from this round trip, not from term stacking.

First look at the natal structure, then look at which line the Universiade enlarges, and finally it comes to the passing year and the passing month. If the order is messed up, the article will become a series of scattered judgments. A complete reading is not to list all the projects, but to first connect the main line, turning points and realistic landing points.

The first time only asks where the center is, the second time only asks where the stuck point is, and the third time only asks when it was triggered. Do only one thing each time so that the read contents do not fight with each other. A truly useful Bazi article is often one that breaks down the problem in enough detail.

Reading the disk is not to fill up the jargon, but to answer what is happening in reality. Work, relationships, money, choices, pressure, in the end it all comes down to whether you can take it on. Only when you can return to reality can you truly finish writing the text.

A truly complete reading is to put the structure, stages, triggers and reality into a straight line. Instead of looking for good and bad luck first and then adding evidence, we should first lay out the center of gravity, inheritance and stuck points of the disk.

When writing a horoscope article, you cannot explain all your judgments in one go. Let readers know that when they see new clues later, they can go back and revise their previous judgments. If you can read it back, the text is not a one-time statement.

At the end of writing, instead of piling up more terms, I organize them into a smooth paragraph: where is the center of gravity of this disk, which line is most often amplified, which stage is easiest to gain momentum, and what it usually looks like in reality. Only in this way can the writing be truly finished.